I, Ben Myatt, have been a fan of music for many years. I grew up listening to the sounds of Genesis and Jeff Wayne's war of the worlds. I chilled to Rick Wakeman and rocked out to Nirvana. I am the man who actually bought and B*witched album, and who listens to the mellow Punk sounds of the Bouncing Souls. I own albums by both Robbie Williams and Vanessa Mae. I even owned the So Solid Crew album.
The point of my above statement is to illustrate that I am not in opposition to you for the music you release, or for the image you project.
I am in opposition to you because you, Mr Cowell, have ruined the Christmas Number One.
I remember, as recently as 2004, the Christmas number one race was exciting. it was something to look forward to. That year, Band Aid 20 gained the number one spot. The year before, Gary Jules had beaten the Darkness with Mad World.
For the last four years, every Christmas number one has been an X Factor winner. For the last four years, A reality TV show has decided the most coveted singles number one of the year.
So Mr Cowell, I want you to understand the reasons I joined the Rage Against The Machine for Christmas number one group. And I want you to understand the reasons why, last night, I went onto 7Digital and Bought a Mp3 of "Killing in the Name of."
I need you to realise, Mr Cowell, that despite your opinion of the campaign as "cynical and Silly" this campaign is not a personal attack against you, Joe McElderry or even the X-Factor.
This is a campaign about free will. You have gone on record saying that you "Did us all a favour by Killing the Christmas number one."
You really didn't, believe me. I have been a music fan for ninety percent of my existence on this planet, and the Christmas number one has always been something special. Despite your opinion, we don't all think that every Christmas number one was great, but at least there was variety! At least, when Bob The Builder hit number one, it meant that something different was at the top of the charts.
The same cannot be said of the last four years. For the last four years we have had one weak reality-show-produced singer after another. You say that the Christmas number one isn't important.
We, the people, respectfully disagree.
Whatever the different opinions regarding the song, the fact is, that for the first time in five year, the Christmas number one battle has captured the imaginations of the country. If you don't believe me, the fact that "Killing in the Name of" has been outselling "The Climb" speaks for itself.
This campaign has been featured on News shows up and down the country, It has been featured in National newspapers. It has trended on twitter and crashed the servers at facebook. This campaign has lit up the music industry in a way the X Factor never has. As a result of this campaign, RATM's guitarist, Tom Morello, will be giving a portion of his proceeds to a UK charity
At The end of the day, even if the song doesn't get to number one, the message will have been sent. You can no longer have things your own way. We will fight for our right to party to the music we like.
Lets not make any mistakes, you profit tremendously from that “Unimportant” Christmas number one. That's fair enough. That's your job. But, despite the fact RATM are on your the same label as Joe McElderry, you'll have to forgive us if we contribute to your profits in a different way from the norm. You'll also have to forgive us for raising over £40,000 for Shelter.
At the end of the day, we wish you no ill will. But you tell us, every year with your “cynical and silly” scheduling of the X Factor to guarantee that “unimportant” Christmas number one. What to Buy, and when to buy it.
To quote a line:
RATM Download Links:DO NOT DOWNLOAD IT 6 OR 7 TIMES...IT'LL JUST GET ANNULLED IN THE CHART.
7DIGITAL - £1.19P - track #2
AMAZON - 29p - yes it will count
TUNETRIBE - 49P - track #2 - LIVE version (yes it counts)
TESCO DIGITAL - 67p - track #2
HMV.COM - 79p (careful - this is track #1)
PLAY.COM - 70p - it's the only track on the page
WE7 - £1.07p - track #2
iTUNES - 99p - track #2